The first in a series of journals being offered for auction on Wednesday 17th November, 2021 at 10am AEST on Instagram.
https://www.instagram.com/GladysAndMaude/
I had planned on uploading these videos to my YouTube channel with a voiceover description of each journal/item in the auction. Unfortunately, the charger for the laptop has been placed in a safe place (yes, we both recall saying “let’s put it here so we know where it is” – can’t find it 🤦🏽♀️ and, the hand written description is too long to put in the YouTube description box, so I’ve reverted to my old WordPress blog to share the info with you all.
This little mini or pocket journal is handmade, hand bound and full of hand painted, hand dyed, eco dyed papers and fabrics.
You can watch a detailed flip through on my YouTube here: AUCTION JOURNAL NUMBER ONE FLIP THROUGH
The main journal measures approx 3.5in (9cm) x 5in (12.5cm) and approx 1.25in deep (3cm). It contains one signature only.
This main journal has 22 pages plus cover with secret pockets, but has a total of 57 surfaces to create on, including inside covers and waterfall pages. Not including secret journal or tag.
The secret hidden mini journal measures approx 3.25in (8cm) x 3.25in 8cm). This journal is one signature only.
This mini journal has 14 pages plus cover with a total of 29 working surfaces.
There is also an added luggage tag in a hidden folder in the back cover.
The cover of this little journal is made from a heavy weight tie wrap envelope that has been rust dyed with black tea. The closure is constructed of a strip of vintage Actil cotton sheeting (unused and still wrapped in it’s paper label, all these years later) that I have eco dyed with eucalyptus leaves foraged from our home garden in Lake Macquarie, NSW.
The eco dyed cotton wrap tie has been hand stitched to the front of the journal cover using hand dyed Cotton a Broder in teal with a striking piece of complimentary hand dyed cotton fabric in teal as a contrast to the eucalyptus dyed fabric and çbefore being secured with a rustic looking button from my mother’s button collection. (yes, Mum knows I have her button ).
The eucalyptus dyed Actil cotton wrap has also being rustically embroidered with “x’s” in the teal Cotton a Broder along a section of wrap to strategically emphasise the contrasts of colours, highlighting the striking elements of water & earth. To complete the wrap, I’ve tied the thread off with a complimentary teal coloured, handmade glass bead & the end of the wrap is lovingly finished off with a rustically stitched needle lace accent.
Upon opening the journal, you are greeted with a harmonious celebration of earthy, upcycled and hand crafted elements. The inside cover is a delight to the eyes with a cacophony of delightful earthy eco dyed colours from eucalyptus, black tea and dried flower petals that dance and swirl around the page. It is then layered with a soft and gentle sage green, hand painted, watercolour circle with the most delicate gold dust shimmer. I have then layered two rustic strips of drafting film that has been painted with recycled iron water. This little collage stack has been finished off with a hand drawn, original “wonky” botanical.
The first page is made up of the front of an upcycled candle box in sage green that perfectly compliments the hand painted sage green circle on the inside front cover. The clear acetate sheet in the first page already had a hole nearly punched in it so I took that as an opportunity to use as an accent that I added a piece of rust dyed, vintage sari silk and an upcycled piece of teal covered cord.
Turning this first page over to page 2 and you gain a peek of the hand drawn “wonky” botanical through the acetate window.
Moving on to page 3 & you are greeted by a happy and colourful piece of watercolour paper that I’ve splashed with my own handmade teal ink, combined with a rust coloured watercolour paint in a colour I mixed myself to match the rust dyed fabrics. This page has a rustically torn piece of vintage sari silk in teal that I’ve hand stitched to the bottom left corner of the page as an embellishment. This piece of sari silk is bejewelled with a surface embroidery that looks very much like Or Nué.
Turning over to page 4 & I’ve left the soft & subtle colours of the teal ink and rust coloured watercolour to gently peek through. to the bottom left corner of this page, I’ve stitched a mini fabric stack consisting of a layer of rust & coffee dyed vintage linen tablecloth and a layer of teal dyed vintage linen.
Moving on to page 5 & I have included a piece of rust dyed, hand torn, vintage cotton fabric as the page. This page is ready for you to add your own embroidery, writing, collage or more. On the upper right of this fabric page, I have pinned a layer of hand dyed teal vintage tablecloth & a piece of eucalyptus dyed cotton that I’ve pinned to the page with a little gold coloured safety pin. You can either leave these accents as they are, stitch them in place or use them somewhere else in your journal.
Turning to page 6 & of course we have the reverse side of the rust dyed cotton that I’ve pinned a piece of coffee dyed vintage lace & a tiny piece of teal dyed cotton that compliment the two page spread beautifully. Again you can leave these little textile accents as they are or stitch them in place or even use them elsewhere in your journal.
Moving to page 7 & you’ll see a piece of white copy card that I’ve covered with asemic writing before sprinking a few dots of teal ink then splashing some small glistening gold splodges all over. I have then added a semi circle of an original hand painted watercolour in teal which I’ve topped with a piece of eucalyptus dyed cotton fabric, lovingly stitched into place with some teal dyed DMC stranded cotton.
Turning over to page 8 & you’ll find the reverse of pg 7. Page 8 also has asemic writing & fine, glistening gold splashes & splodges. To this page I’ve hand sewn another original hand painted watercolour semi circle in Paynes Grey with a piece of teal dyed vintage tablecloth placed underneath as a perfect complimentary element. These again have been hand stitched to the page using hand dyed teal coloured DMC stranded cotton.
Moving on to page 9 and you’ll find a lovely crunchy piece of painted tracing paper with gold crosses. The page is accented with a piece of vintage embroidered sari in teal that has been stitched on with matching crosses in an eco dyed stranded DMC cotton. Page 9 is simply the reverse side of page weight which is has an opaque transparency. The reverse side of the embroidered teal sari has been layered with a piece of rust dyed vintage sari silk.
Page 10 is a simple white page with delicate and minute splashes of gold mica paint and has been accented with a small collaged and painted canvas disk.
Page 11 is a white page delicately washed with gold mica offering a glistening sparkle ready for your journaling or adornment. It is accented by a mini layer of rust dyed vintage sari silk and a piece of teal cotton fabric.
Page 12 is a striking piece of ecy dyed cotton with gorgeous imprints of eucalyptus leaves. I’ve gently pinned a piece of rust dyed cotton, layered with a piece of rust dyed and teal dyed vintage sari silk. Page 13 is simply the reverse side of page 12 – the eco dyed cotton.
Page 14 is a gently painted piece of white card with washes of teal and blue watercolour and a small amount of rust dye sprinkled on top. I’ve hand stitched a piece of rust and teal dyed vintage sari silk to this page and the reverse on page 15 as well.
Page 16 is another piece of white card, adorned with gold mica crosses and accented with a hand painted watercolour disk with hand drawn white gel marks and stitched into the page with iron water dyed stranded cotton.
Page 17 is the reverse of 16, again with gold mica marks abs affected with teal embroidered sari and rust dyed cotton stitched on.
Page 18, a lovely gold mica wash, with the entire edge of the page accented by a teal sari ruffle with gold embroidery and sequins, hand stitched into place.
The reverse side of 18, page 19 has been painted with teal ink and gold mica and accented with some needle weaving on the reverse of the ruffle stitching.
I’m just going to add a few more images but if you’d like further details or explanation, please do not hesitate to contact me. It’s taking way too long to photograph, upload and describe. I’m more than happy however to provide more images or information.
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